The
Fact Book 1999 Cover
Cubistic Interior, c. 1924
Preston Dickinson, 1891-1943
Oil on canvas, 36 1/8 by 23 5/8 inches
Georgia Museum of Art, The University of Georgia
The Eva Underhill Holbrook Memorial Collection of American
Art
Gift of Alfred H. Holbrook, 1945
William Preston Dickinson was born in Greenwich Village to
parents of British ancestry and attended public schools in New
York. By his late teens, his drawing ability had attracted the
attention of a supporter who paid Dickinson’s way to the Art
Students League of New York, where he studied for four years.
Following formal schooling, Dickinson studied in Europe,
like many young American artists during the decade before the
first World War. He was interested in new trends in art, and
after rejecting Impressionism, he turned to the examples of
Cezanne and of Cubism and Futurism that he had found while he
was a student in Paris between 1911 and 1914.
Especially stimulated by his studies in various European
museums, Dickinson eventually returned to New York, where he
found a small but supportive artistic community centered
around a handful of galleries showing modern work. Among these
were Alfred Stieglitz’s "291" Gallery and the
galleries of Stephan Bourgeois and Charles Daniel.
Dickinson was best known for his association with the
"Precisionists," a group of artists of whom Daniel
became the champion. Precisionists’ works were characterized
by precise technique, simplification of form, a mixture of
realistic and abstract design, and frequent reliance on
industrial and urban themes and indigenous American subjects.
The late teens and early 1920s was a period of intense
exploration and growth in Dickinson’s work, which moved
toward a somewhat freer, more expressive manner of painting.
Dickinson’s Cubistic Interior has transparent planes,
dynamic curving forms, tilted perspective and some textured
surfaces and flat, diagrammatic faceting. By adding purely
abstract elements and merging the still-life objects with
their surroundings, Dickinson moves toward Cubism. The rushing
curves seem Futurist-inspired, and the impression created is
one of great activity and movement. Dickinson’s Cubistic
Interior was one of the original 100 paintings given to
the Museum by Alfred Holbrook and is one of the Museum’s
most frequently exhibited paintings.